Titlebook: Anti-Semitism and British Gothic Literature; Carol Margaret Davison Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limit

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https://doi.org/10.1007/978-3-8351-9045-0t secret societies and secret sciences were spectres haunting Europe was also disseminated by way of the German Terror-novel, otherwise known as the .. Between 1794 and 1796, translations of several German . treating the subject of secret societies became known in England. Four of the most important

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https://doi.org/10.1007/978-3-8351-9045-0al Jewish figure. Although this reading has helped to elucidate both the specific nature of the vampire’s threat to fin-de-siècle England and the prevalent Christian thematics and iconography of Stoker’s novel, literary critics have failed to consider Count Dracula’s consanguineous connections with

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The Contested Enlightenment, the Contested Castle,nlightenment . for articulating and promoting the Rights of Man, right-wing scholars have indicted the same thinkers for providing the ideological fuel for the Terror (xx). A tendency to demonize the Enlightenment has, Porter rightly notes, characterized most recent scholarship. ‘It has become,’ he

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,The Primal Scene: The Skeleton in Britain’s Closet,f its mid-eighteenth-century Londoners’ (‘Introductory’: xxvi). It also furnishes, with an eye to their dismantling, a sense of the nature, prevalence, and entrenchment of such stereotypes in early nineteenth-century England. While Gothic fiction’s Wandering Jew does not appear in all of his fullfle