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Titlebook: Animals in Detective Fiction; Ruth Hawthorn,John Miller Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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https://doi.org/10.1007/978-3-319-94529-3such, . and . emerge as stories that . detective and thus narrate across conventions of detective fiction that focus a central investigator’s journey toward resolution and the re-establishment of the social status quo.
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Economic Opening Up and Growth in Russiaetective fiction’s readers to reconsider how criminal culpability is determined (Peterson, 152). Instead, it is animality within human law’s agents that enables them to sustain their own accountability and pursue legal justice.
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Wolverines, Werewolves and Demon Dogs: Animality, Criminality and Classification in James Ellroy’s urse of the Quartet, raising broader questions about human/animal binary. Through varying articulations of human/animal exploitation, the real villain of Ellroy’s work is a ruthless and detached post-war industrial culture that transforms both animal and human life into useable commodities.
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“The Motto of the Mollusc”: Patricia Highsmith and the Semiotics of Snailsormer. In doing so, it seeks to read this aspect of Highsmith’s work as part of a continuum in detective fiction’s treatment of animals and to demonstrate how far her fiction can be situated within that genre.
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Book 2022s into sections on .ontologies., .ethics., .politics., and .forms., .Animals in Detective Fiction. provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form..
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