Titlebook: Andre Gide‘s Politics; Rebellion and Ambiva Tom Conner Book 2000 Palgrave Macmillan, a division of Nature America Inc. 2000

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Gide under Siege: Domestic Conflict and Political Allegory in the World War II ,y or figuratively under siege. The writer spent the first two years of the war in the unoccupied south of France, but denunciations from the political Right led him to take refuge in Tunis. His account of the Allied liberation of that city served, in turn, as a pretext for attacks during the postwar

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,Unfinished Business: André Gide’s , and the Constraints of Socialist Realism,ll, Surrealism was rejected by most Communists as a viable approach to literary engagement—due, in part, to its professed aim of confounding conscious meaning and its seeming preference for avant-garde forms over clearly articulated political content. Instead, a new trend in revolutionary fiction wa

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https://doi.org/10.1007/978-3-030-94301-1f-knowledge and revelation throughout his career. He now had to turn to the revelation of a different kind of scene of compelling dramatic importance, one that only tangentially overlapped with his personal concerns: the colonial situation in French Equatorial Africa. Political discourse exerts its

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Formation and thinning of liquid films,ught forth the Franco-Soviet Mutual Aid Pact, a package that confounded the French Communists, for it was accompanied by an unexpected statement from Stalin endorsing the long opposed French rearmament policy. The package also included the summary expulsion of Leon Trotsky after two years of politic