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Titlebook: Analysis of Appraisive Characterization; Karl Aschenbrenner Book 1983 D. Reidel Publishing Company, Dordrecht, Holland 1983 Aristotle.crea

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发表于 2025-3-21 19:48:11 | 显示全部楼层 |阅读模式
期刊全称Analysis of Appraisive Characterization
影响因子2023Karl Aschenbrenner
视频videohttp://file.papertrans.cn/157/156331/156331.mp4
图书封面Titlebook: Analysis of Appraisive Characterization;  Karl Aschenbrenner Book 1983 D. Reidel Publishing Company, Dordrecht, Holland 1983 Aristotle.crea
影响因子The present work addresses itself to the question of the nature of appraisive concepts such as were the subject of investigation in The Concepts of Value* and The Concepts of Criticism. ** Many problems of prime importance in the theory of value could not be adequately treated there without diminishing the basic purpose of those studies which was above all to identify, classify and provide a general theoretical framework for the host of concepts with which we characterize and commend subjects of appraisal in all of the principal areas of human interest. The author might have forestalled the disappointment of some of his critics had he then explicitly promised to consider those problems at a later time. But his reluctance to promise what he might not be in a position to produce outweighed a keen awareness of what the problems are and of their evident seriousness. Although my treatment of such problems has only now been undertaken, in point of time my concern with them antedates by far the em­ pirical explorations of the two texts mentioned. Anyone who undertakes such a study is likely to have come under the in­ fluence of Professor Frank Sibley‘s ‘Aesthetic Concepts‘t and of later d
Pindex Book 1983
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Modes of Appraisalmodes still more closely to see what is involved in affirming them of subjects of appraisal, beginning with examples of a moral nature. Some of these are more serious than others, touching on social actions of omission and commission. Beginning in 7.0 we shall consider aesthetic appraisives in consi
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Character and Characterization introduced. We have said some of the essential things about the meaning which attaches to appraisive terms, but there are also special considerations about particular terms or particular classes of terms that must be taken into account in their analysis. We have alluded to the important differences
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Areas of Appraisal Comparedend this examination to the use of the concepts . and .. Besides this the largest area not yet considered in detail is the aesthetic, to which we shall devote considerable attention in 7.0, 8.0 and 9.0, and there are still other areas of appraisal which deserve a brief discussion.
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Musical Characterizationo not differ essentially from those used of the other arts and have been discussed in previous chapters. In the present chapter we are therefore not devoting closer attention to the musical portion of critical concepts as a whole but rather to another musical appraisive vocabulary which is altogethe
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The Structure of Aesthetic Conceptsect performance of their works. As we have seen, these areas of characterization are similar in several instances such as elemental quality, temper, emotion and feeling, style and expression, and some others. We must now consider the structure of such characterizing concepts in more detail, particul
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Metalinguistic Terms in Evaluations and especially demands thought to be supported by rights. The way in which these demands are articulated and if possible, enforced, is of course through the evolution of a vocabulary of appraisive concepts which set forth what is desired or the desirable and its negation and serve as precepts for
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