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Titlebook: An Introduction to Shakespeare’s Comedies; Patrick Swinden Book 1973 Patrick Swinden 1973 literature.poetics.poetry.William Shakespeare

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The Spirit of Shakespearean Comedy,, a grave and, some would say, pessimistic inquiry into the nature of human ambition — not at all silly and, unfortunately, not at all improbable either. If the comedies were not an embarrassment to the author of ., there is no reason why they should be to us.
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The Merchant of Venice,that this, of all Shakespeare’s plays, could sensibly be produced on a stage as empty as Mr Hands pretended his was going to be? We have shattered the fantasy that the Elizabethan stage was bare and costumeless. One glance down Philip Henslowe’s accounts in 1598 is enough to do that: Phaeton’s chari
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W. Kruse,W. Dieckvoss (Assistent)ld. What could be more suitable for children to speak than the monosyllables of Peaseblossom, Cobweb, Moth and Mustardseed at m, i? And, of course, there is a repeated insistence on festive revels by members of all three groups on-stage: the nobles, the fairies, and the mechanicals. Altogether, the
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