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Titlebook: Anthology of Ancient Medival Woman‘s Song; Anne L. Klinck Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 England.lyr

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期刊全称Anthology of Ancient Medival Woman‘s Song
影响因子2023Anne L. Klinck
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图书封面Titlebook: Anthology of Ancient Medival Woman‘s Song;  Anne L. Klinck Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 England.lyr
影响因子This collection focuses on a woman‘s point of view in love poetry, and juxtaposes poems by women and poems about women to raise questions about how femininity is constructed. Although most medieval ‘woman‘s songs‘ are either anonymous or male-authored lyrics in a popular style, the term can usefully be expanded to cover poetry composed by women, and poetry that is aristocratic or learned rather than popular. Poetry from ancient Greece and Rome that resonates with the medieval poems is also included here. Readers will find a range of voices, often echoing similar themes, as women rejoice or lament, praise or condemn, plead or curse, speak in jest or in earnest, to men and to each other, about love.
Pindex Book 2004
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Early Medieval Spain,on, and so on. These muwashshahas are written in literary Arabic or Hebrew, but often their kharjas (codas, literally “exits”) are composed in the Mozarabic dialect, based on the colloquial Romance speech of the Christians. In fact, some, perhaps most, of the kharjas must have had a previous indepen
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https://doi.org/10.1007/978-3-476-04866-0uicide herself. Later, Guthrun married Atli, who enticed her brothers to his court and had them killed to obtain the dragon’s treasure. Hogni laughed while his heart was being cut out; thrown in a snake pit, Gunnar played his harp until he was bitten to death. Guthrun punished Atli by serving him th
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Die Linsenfehler und ihre Berichtigung,y!” (Muslim Spain), “I feed on joy and youth” (Provence), “Fie, husband, on your love!” (medieval France), “Under the linden on the heath” (medieval Germany), “Hey nonny! I will love Sir John if I love anyone!” (late medieval England). These quotations are all the beginnings of “woman’s songs”; that
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