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Titlebook: Amputation in Literature and Film; Artificial Limbs, P Erik Grayson,Maren Scheurer Book 2021 The Editor(s) (if applicable) and The Author(

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楼主: 是英寸
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https://doi.org/10.1007/978-3-030-74377-2prosthetics; amputation; linguistics of amputation; politics of amputation; sexuality and amputation; los
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Machtfreiheit als negative Utopielity studies, the introduction argues that the narratives generated by amputation confront a complicated dialectics of loss and gain that deserves further study. Using Viktoria Modesta’s music video “Prototype” as an example, the introduction emphasizes the need to combine historical, social, cultur
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https://doi.org/10.1007/978-94-010-3643-6h a focus on embodiment and affect, explores the cultural and political—and often gendered—signification of corporeal dismemberment. Distancing itself from a psychoanalytic reading of amputation, it moves toward a politicized, historical, and specifically gendered reading, examining amputation as an
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https://doi.org/10.1007/978-94-010-3643-6ighting the paradoxical role of the amputee veteran in Soviet commemoration politics between hero cult and stigmatization. Analyzing Boris Polevoi’s canonic Socialist realist . (1946) as a foil to Oleg Rossiyanov’s . (2007) and Eduard Kochergin’s . (2003), which criticize the Stalinist regime, the c
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https://doi.org/10.1007/978-3-476-05802-7e representation of amputation and the intersection between disability and gender. In nineteenth-century Spanish society, disability seems to confirm rather than create “defective femininity.” In contrast to previous readings of the film as an expression of Tristana’s emancipation, the chapter argue
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Mark Bechtel,Christoph Oliver Mayers the ways in which Paul Rayment’s response to the amputation of his leg following a cycling accident highlights the complex entanglements of age, masculinity, and the need for human connection. The chapter argues that Paul’s surgery effectively inaugurates his senescence, thereby casting him sudden
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