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Titlebook: American ‘Unculture’ in French Drama; Homo Americanus and Les Essif Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limit

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发表于 2025-3-21 16:37:45 | 显示全部楼层 |阅读模式
期刊全称American ‘Unculture’ in French Drama
期刊简称Homo Americanus and
影响因子2023Les Essif
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图书封面Titlebook: American ‘Unculture’ in French Drama; Homo Americanus and  Les Essif Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limit
影响因子A book about the role America plays in the French imagination, as it translates to the French stage. Informed by a rich variety of Western cultural scholarship, Essif examines two dozen post-1960 works representing some of the most innovative dramaturgy of the last half century, includingworks by Gatti, Obaldia, Cixous, Koltes, and Vinaver.
Pindex Book 2013
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Dezentralisation und kommunales Bauverbotear that Americans cannot fully apprehend the magnitude of their hyperreal way of life — the depth of the fiction which they live — because ‘they are themselves simulation in its most developed state’ (America 28—9). While all postmodern cultures — including the generalized culture of postmodern glo
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Dezentralisation und kommunales Bauverbotnced society in the world and a symbol of the whole of America and its history: pioneers of the past, pioneers of the future. Despite the contested complications and conflicts of colonial empire, it is quite likely that Europe’s historical memory sees the United States as the frontier of Western civ
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https://doi.org/10.1007/978-3-642-91599-4n free-market capitalist businessman or entrepreneur. The French know something is wrong – very wrong – with the Americano-global capitalism they admittedly have guardedly adopted and have been complicit in proliferating around the world.
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Die städtischen Bodenwerte und ihre Ursachenhe uncultural effects of postmodern hyperreality, along with the United States’ homo americanus exceptionalism as regards its penchant for living an alternative, virtual reality to the sacrifice of lived experience, we will better appreciate French methods of theatricalizing the images of what appea
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Introduction: Part 2,ear that Americans cannot fully apprehend the magnitude of their hyperreal way of life — the depth of the fiction which they live — because ‘they are themselves simulation in its most developed state’ (America 28—9). While all postmodern cultures — including the generalized culture of postmodern glo
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