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Titlebook: American Science Fiction Television and Space; Productions and (Re) Joel Hawkes,Alexander Christie,Tom Nienhuis Book 2023 The Editor(s) (if

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发表于 2025-3-21 16:19:15 | 显示全部楼层 |阅读模式
期刊全称American Science Fiction Television and Space
期刊简称Productions and (Re)
影响因子2023Joel Hawkes,Alexander Christie,Tom Nienhuis
视频video
发行地址Offer important and imaginative spatial readings of influential American science fiction television shows.Examine and theorize “space” in an increasingly “space-conscious” age--one dominated by the sp
图书封面Titlebook: American Science Fiction Television and Space; Productions and (Re) Joel Hawkes,Alexander Christie,Tom Nienhuis Book 2023 The Editor(s) (if
影响因子This collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured.  The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services.  The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of televis
Pindex Book 2023
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https://doi.org/10.1007/978-3-031-10528-9science fiction; television; space; heterotopia; production of space
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978-3-031-10530-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-3-322-98795-2In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.
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Disembodied Spaces and Cyborg Utopias in In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.
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,Klinisches Bild der akuten Gonorrhöe, .. What makes it stand out from other popular conlangs like Klingon or Dothraki is that, rather than attempting to sound “exotic,” with a totally invented vocabulary and unfamiliar grammar, Belter Creole strives to sound like real languages that have undergone normal language-change processes (Colb
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Rudolf T. Schmidt,Karlheinz Hülserng corpses while contemplating human life of the past. Long before they start referring to the human hubris that led to environmental crisis and the extinction of civilization, one of them says in disappointment, “You’ve seen one post-apocalyptic city, you’ve seen them all!” Whatever the cause of th
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https://doi.org/10.1007/978-3-663-00224-6ssible futures where new technologies challenge, hurt and destroy, “San Junipero” appears optimistic, a joyful SF text that explores a technology-enabled utopia. The episode imagines a computer-simulated world, or virtual reality (VR), where old and dying people can spend time as avatars of their yo
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