Titlebook: American Modernist Poetry and the Chinese Encounter; Zhang Yuejun,Stuart Christie Book 2012 The Editor(s) (if applicable) and The Author(s

政府

https://doi.org/10.1057/9780230391727America; Imagination; migrant; poem; poetry; Terminologie; time

savage

978-1-349-35172-5The Editor(s) (if applicable) and The Author(s) 2012

Axillary

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愤慨一下

Ballerina

丑恶

“Between Walls”: So Much Depends on Chinese Immigrant Poetry in Defining the Modernist Age0, their anguished poetry might have appeared a world away from the frequently lofty or idyllic works of American modernist poetry—from Ezra Pound’s . to Robinson Jeffers’s . or William Carlos Williams’s .. Free to explore London or Szechuan or to imagine their own country in the comfort and splendo

连词

H. T. Tsiang’s , and Transpacific Bridges to a Radical Pastealing that William Carlos Williams’s library included copies of H. T. Tsiang’s 1933 . and 1935 ., both “inscribed to WCW from the author.”. The endnote indicates that these works in Williams’s library are significant for “showing Williams as a follower of Far Eastern culture.”. Tsiang’s two books,

BUMP

Usurious Translation: From Chinese Character to Western Ideology in Pound’s Confucian “Terminology”a specific modernist critique of banking as usury. I hope a second visit pays dividends, insofar as Pound’s mistranslations are themselves illustrative instances of a usurious translation practice. He rejects usury as an ideology, only to apply it aggressively as a semiotic practice. Remarkably, in

aphasia

MONY