Titlebook: American Horror Fiction and Class; From Poe to Twilight David Simmons Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Horror

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书目名称American Horror Fiction and Class影响因子(影响力)




书目名称American Horror Fiction and Class影响因子(影响力)学科排名




书目名称American Horror Fiction and Class网络公开度




书目名称American Horror Fiction and Class网络公开度学科排名




书目名称American Horror Fiction and Class被引频次




书目名称American Horror Fiction and Class被引频次学科排名




书目名称American Horror Fiction and Class年度引用




书目名称American Horror Fiction and Class年度引用学科排名




书目名称American Horror Fiction and Class读者反馈




书目名称American Horror Fiction and Class读者反馈学科排名

开始发作

Class and Horror Fiction During the Early Twentieth Century,elopment of the Gothic in the shape of Weird Fiction and the pulp magazines that originally published such material. The chapter argues that the work carried out by a host of often culturally derided pulp and popular writers, exemplified by H.P. Lovecraft, was defined by the issue of class. Class wa

总

Affluence

Representing Class During the Horror Boom of the 1970s and 1980s,latty, Anne Rice, and Whitley Strieber) found their work reaching bestseller status across the United States. In particular, the chapter focuses on Stephen King as an exemplar of many of the tendencies at play more widely, specifically trends concerning the depiction of class and the increasingly se

acolyte

Horror Fiction and Class in the Contemporary Period,ris, Poppy Z. Brite, Chuck Palahniuk and Bret Easton Ellis have developed and built upon established genre trends, it examines the use of the serial killer as a means of questioning class inequality; the self-conscious reengagement with the genre as ‘bad object’ in order to shock the status quo; and

使高兴

白杨鱼

Alan L. Sillars,Pam J. Kalbfleschough to the content of the fiction that was published; in the process giving voice to a set of anxieties and fears concerning the emergent, literate working class, and the changing nature of US identity.

Genome

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