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Titlebook: American Dramatists 1918–1945; Excluding O’Neill Bernard F. Dukore Textbook 1984Latest edition Bernard F. Dukore 1984 America.Arthur Miller

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Maxwell Anderson,ragedy suggest Anderson’s range, which embraces melodrama, fantasy and social protest. Woven throughout his variegated drama are views of individualism; social institutions that thwart, oppress and plunder individuals; rebels who defy society; and questions of integrity.
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Lillian Hellman,…] In the end she tosses in a speech of social significance’ that drenches the play with ‘a Pinero frown of fustian morality’ (.). If these provided a complete picture there would be little justification for Hellman’s inclusion in this book. They do not.
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https://doi.org/10.1007/978-3-531-91049-9ct is a factor, . has pride of place over .. If not, one might go back as many as four decades to cite Georg Buchner’s ‘modern’ . (1837). And critics disagree on the first expressionistic play, even whether Strindberg or a German wrote it.
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Watershed Years,ct is a factor, . has pride of place over .. If not, one might go back as many as four decades to cite Georg Buchner’s ‘modern’ . (1837). And critics disagree on the first expressionistic play, even whether Strindberg or a German wrote it.
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