Titlebook: American Cinema and Cultural Diplomacy; The Fragmented Kalei Thomas J. Cobb Book 2020 The Editor(s) (if applicable) and The Author(s), unde

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Equilibrium: The Turn of the Twenty-First-Century War Film and the Millenarian Remaking of Global Mty-first century. I posit that the pictures examined update Walter McDougall’s idea of a welfarist ‘Global Meliorism’ for a time of American unipolarity..Using . (1999) as a focal film, I highlight moments which present affinities between the Wilsonian, Jacksonian and Hamiltonian. This synthesis bec

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Reconfiguration: Hard and Soft Power Rivalries in Cinematic Engagements With the War on Terror,t power. The sectarian political landscapes of Spike Lee’s post-9/11 drama . (2002) and Michael Moore’s controversial documentary . (2004) reject Nye’s centrist stress on the importance of hard and soft power’s reconciliation..The most direct repudiation of diplomatic equilibrium, however, manifests

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Fragmentation: The Deconstruction of Neoliberal Occupation in , and ,d follows the pursuit of Vietnam veteran Llewellyn Moss by hitman Anton Chigurh. Scenes of fratricidal violence conjure memories of George W. Bush’s failed interventions in Iraq and Afghanistan, a resonance which implies a 1980s neoliberalism as the chief cause of contemporary imperial overstretch..

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1), had recorded not many more than a hundred species, a very low total considering the area of the island relative to that of the Fiji group where the moths were being studied by Dr. G. S. ROBINSON when the New Caledonian expedition was at the planning stage. The Fijian fauna then promised consider­ ably to 978-94-009-9599-4978-94-009-9597-0

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https://doi.org/10.1007/978-1-4419-1476-7Collective Action Research Program (CARP); Collective action; Leadership; Mobilization; Protest; Protests