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Titlebook: Ambivalence in Hardy; A Study of his Attit Shanta Dutta Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 biogr

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发表于 2025-3-21 18:29:38 | 显示全部楼层 |阅读模式
期刊全称Ambivalence in Hardy
期刊简称A Study of his Attit
影响因子2023Shanta Dutta
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图书封面Titlebook: Ambivalence in Hardy; A Study of his Attit Shanta Dutta Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 biogr
影响因子This book re-examines the critical debate regarding Hardy‘s attitude to women: apologist or misogynist? With the help of manuscript evidence and references to Hardy‘s autobiography, letters, literary notebooks, marginalia, and the letters of his wives, this book combines a biographical approach with a feminist reading. Significant space is devoted to the ‘minor‘ novels, the short stories, and to Hardy‘s real life literary relations with his contemporary women writers, his protégées and his two ‘scribbling‘ wives, to balance the hitherto exclusive focus on the ‘major‘ novels.
Pindex Book 2000
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发表于 2025-3-21 23:58:13 | 显示全部楼层
roach with a feminist reading. Significant space is devoted to the ‘minor‘ novels, the short stories, and to Hardy‘s real life literary relations with his contemporary women writers, his protégées and his two ‘scribbling‘ wives, to balance the hitherto exclusive focus on the ‘major‘ novels.978-0-230-37834-6
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and references to Hardy‘s autobiography, letters, literary notebooks, marginalia, and the letters of his wives, this book combines a biographical approach with a feminist reading. Significant space is devoted to the ‘minor‘ novels, the short stories, and to Hardy‘s real life literary relations with
发表于 2025-3-22 15:16:37 | 显示全部楼层
Analysekonzept und methodisches Vorgehendy’s marginal comments: ‘false’, ‘incorrect’, ‘untrue’, ‘conjectural’, ‘exaggerated’, ‘garbled’, ‘imaginary’, ‘impertinent invention’.. In a 1922 letter to Agnes Grove, Hardy refused to entertain a female thesis-writer whom she had recommended:
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Hardy and Some Contemporary Female Writers,nd the essay ‘G.M.: A Reminiscence’ (1928). More than a decade after this memorable meeting, in the early 1880s, and again in Frederick Chapman’s office, a beautiful young writer — flushed with the success of her maiden novel — was introduced to the journalist and editor Frank Harris, who recalled her as:
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