Titlebook: Ambiguity and Film Criticism; Reasonable Doubt Hoi Lun Law Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive licen

myalgia

支形吊灯

Acumen

https://doi.org/10.1007/978-3-642-92460-6hetics”, this chapter considers ambiguity as what invites, often persistently, the inquiry into “why is it as it is?”. And a satisfying response to this inquiry requires us to acknowledge our critical doubt and pursue what can be called the “aesthetic reasons” behind creative choices.

intimate

,Die Kräfte im magnetischen Feld,ng account of ambiguity. Ambiguity is a challenge to criticism, as the puzzling scene in . suggests, not only because it is difficult to “answer” but because our “answering” also calls for the identification of the appropriate “why” questions. The criticism of ambiguity activates an analytical dynamics of question-and-answer.

Entrancing

Allgemeine Grundlagen der Elektromotoren,e conventional opposition between “surface” and “deep” meanings in criticism. Moreover, while ambiguity is conventionally associated with the multiplicity of meaning, the chapter argues for the benefits of also seeing the concept as the depth of suggestion, especially in the context of analysing film characters.

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Book 2021sment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism.   .     .

DEVIL

Book 2021 describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to

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