Titlebook: Allegory Old and New; In Literature, the F Marlies Kronegger,Anna-Teresa Tymieniecka Book 1994 Springer Science+Business Media Dordrecht 19

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978-0-7923-2348-8Springer Science+Business Media Dordrecht 1994

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Allegory and Maxim: Power and Faith, Passions and Virtuesambitions. Our goal is to present a panorama rather than a map of Queen Christine’s quest as it is: a) immortalized in allegorical engravings based on historical reality and idealized in emblems and allegories of civil and religious accomplishments (these are recorded by and for the outside observer

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Allegory and the Dramatic Foundations of the Medieval Theateruropean Corpus Christi, or Cycle, Plays,” Richard J. Collier’s ., and Robert Potter’s . are just a few examples of the critical interest in the dramatic aspects of the medieval drama, whether associated with staging, the function of poetry, plot structure, or ideological content. My investigation of

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Michael Drayton’s ‘Ideas’ and the ‘Where’ and the ‘Whence’ of Allegorylish Literature has preserved anything of him, it has saved not him but one poem (and an extremely powerful one): a mere sonnet, a mere fourteen lines, “Since there’s no helpe, come let us kisse and part.”. For our purposes here, it is significant that Drayton lived from 1563–1631 and that, hence, h

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, la Toison D’or of 1661 and 1683, the metaphor of the sun was used to characterize the role of the sovereign and his assembly. In 1537 Jacques Cappel wrote of King Francis I: “You are as the Sun among the planets,”. and he secularized the mediaeval . of the divine court of God, transforming it into a royal court on earth. Henry IV

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