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Titlebook: All Too Human; Laughter, Humor, and Lydia L. Moland Book 2018 Springer International Publishing AG, part of Springer Nature 2018 Aesthetic

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Death At The Gate: Who Let Him In?title indicates. On the surface, its significance might seem to be symptomatic: laughter exposes something essentially human. But in the very first chapter, Bergson observes that laughter and the comic exclusively concern the human, but also “must have a . meaning.” Bergson’s very interest in laught
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Boston Studies in Philosophy, Religion and Public Lifehttp://image.papertrans.cn/a/image/153415.jpg
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https://doi.org/10.1007/978-3-319-91331-5Aesthetic Philosophies of Friedrich Schlegel; Aesthetic Philosophies of Hegel; Aesthetic Philosophies
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