Titlebook: Akram Khan; Dancing New Intercul Royona Mitra Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Akram Khan.Inte

audiogram

书目名称Akram Khan影响因子(影响力)




书目名称Akram Khan影响因子(影响力)学科排名




书目名称Akram Khan网络公开度




书目名称Akram Khan网络公开度学科排名




书目名称Akram Khan被引频次




书目名称Akram Khan被引频次学科排名




书目名称Akram Khan年度引用




书目名称Akram Khan年度引用学科排名




书目名称Akram Khan读者反馈




书目名称Akram Khan读者反馈学科排名

GENUS

,Khan’s Body-of-Action,, it would be reductive, even impossible, to engage with Khan’s art without understanding the embodied reality and the socio-political contexts that catalyse it. Sondra Horton Fraleigh reminds us of the fundamental link between a dancer’s lived reality and their art:.To understand the kinaesthetic q

连锁

单挑

Auto-ethnography and , (1999),ategy of artistic enquiry was evident from his earliest endeavour as a student at university. Between 1996 and 1998, during his time at Northern School of Contemporary Dance, Khan created ., a solo that began to negotiate the confusion generated through the multicorporeal layers between his training

Corral

Inclement

翻动

Queering Normativity in , (2013),sation process through which Khan’s new interculturalism queers normativity. An acronym for ., and inspired by Igor Stravinsky’s seminal composition of ., Khan choreographed . for the centenary celebrations of its premiere on 29 May 1913 at Théâtre des Champs-Elysées in Paris. Critics have received

高歌

notion

aesthetic

Wirtschaftende Personen und Institutionen,s and places simultaneously points to another significant catalyst that fuels his embodied approach to new interculturalism; this is the condition of mobility and its relationship to flexibility vis-à-vis relocated subjectivities and homes..