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Titlebook: Agogic Maps; From Musical Phrasin Raffaele Pe Book 2017 The Author(s) 2017 Scripting Equipment.Sound Cartography.Sound Design.Spatial Desig

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发表于 2025-3-21 18:46:29 | 显示全部楼层 |阅读模式
期刊全称Agogic Maps
期刊简称From Musical Phrasin
影响因子2023Raffaele Pe
视频video
发行地址Includes supplementary material:
学科分类SpringerBriefs in Applied Sciences and Technology
图书封面Titlebook: Agogic Maps; From Musical Phrasin Raffaele Pe Book 2017 The Author(s) 2017 Scripting Equipment.Sound Cartography.Sound Design.Spatial Desig
影响因子This book explores the value of the musical concept of “agogics” – the modification of regular rhythm to enhance expressive potential – in understanding urban spatial configurations within the current technological context and in developing urban maps that exploit sonic signals to create an open learning framework. The book starts by discussing the meaning and significance of agogics in the musical and artistic realm, with reference to the work of Adolphe Appia, Emile-Jaques Dalcroze, and Iannis Xenakis, among others. Its relevance to cartography and mapping is then examined, taking into account the contributions of Ian McHarg, Bill Hillier, Mark Shepard, and Robin Minard. The nature and value of agogic maps, for example in fostering awareness of place and effective organization of spatial development, are described in detail, with reference to case studies in Dar es Salaam, Tanzania and Segrate, Italy. It is explained how agogic maps take advantage of innovative categories and scripting equipment to provide a new mapping instrument for spatial and urban configurations, highlighting the interdependence between aural signals and spatial variables. This book will be of interest to ar
Pindex Book 2017
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https://doi.org/10.1007/978-3-319-48306-1Scripting Equipment; Sound Cartography; Sound Design; Spatial Design; Urban Mapping; Agogics; Sound Maps
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Raffaele PeIncludes supplementary material:
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Artificial Intelligence Methodsion deepening the relationships between urban morphology, locative media, and sound design, with a special emphasis on Marshall McLuhan’s definition of the Acoustic Space, the performative ambience emanated by modern technologies. This book investigates the case study of the African capital of Dar e
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Sakorn Mekruksavanich,Anuchit Jitpattanakulh an initial itinerary of locations and distances for the construction of the agogic map of Yombo Vituka. Musical notions in spectralism, psychoacoustics, and ethnomusicology all contribute here to generate a creative cognitive scenario of sound signals to foster the experimental extent of the map.
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