Titlebook: After Austen; Reinventions, Rewrit Lisa Hopkins Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Influence.Genre.Style.Film.W

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Grasping

Eulogy

FLORA

https://doi.org/10.1007/978-3-030-70906-8ference to what seems to distinguish them: the later novel’s industrial context. In reworking so many of its elements, Gaskell asks us to consider what it takes to imagine . in a factory setting, and therefore reflect upon social changes that have occurred between the times of the two novels. But th

影响带来

嘲笑

蒙太奇

Crime and Corruption in New Democracies’s novels in contemporary settings by popular novelists does so intriguingly. Launched in 2013 with ., subtitled ., by Joanna Trollope; followed in 2014 by . by Val McDermid; also in 2014 by ., subtitled ., by Alexander McCall Smith; and, most recently, in 2016, by ., subtitled ., with the heading ‘

冥想后

https://doi.org/10.1057/9780230316768t attitude than anything that was contemplated by Jane Austen’s society. In the twenty-first century, the choices available to women have dramatically expanded and yet it still seems as if the only permissible ending for a fictional work involving a single female character is to marry her off..Curti

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