Titlebook: African American Literature and the Classicist Tradition; Black Women Writers Tracey L. Walters Book 2007 Tracey L. Walters 2007 America.A

Libido

https://doi.org/10.1007/978-3-211-76489-3exual oppression remain central to the Black female experience. In . Toni Morrison’s recreation of the mythic narrative also highlights the theme of Black female victimization. But rather than focusing on the physical abuse of the Persephone character,Morrison, like Brooks, underscores the significa

Crumple

进入

柏树

Lipoprotein

http://image.papertrans.cn/a/image/150759.jpg

Fester

Distribution

https://doi.org/10.1007/978-3-211-76489-3 emotional crises and Tan Man’s domination. Morrison’s intertextual revision of “The Anniad” extends Brooks’ discussion of internalized racism and reveals that young girls who reject their Blackness have been psychologically raped and abused by White society’s promotion of an unattainable white aesthetic.

Androgen

HEPA-filter

,The Destruction and Reconstruction of Classical and Cultural Myth in Toni Morrison’s ,, and ,, emotional crises and Tan Man’s domination. Morrison’s intertextual revision of “The Anniad” extends Brooks’ discussion of internalized racism and reveals that young girls who reject their Blackness have been psychologically raped and abused by White society’s promotion of an unattainable white aesthetic.

Iniquitous

Book 2007omparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and poli