Titlebook: African American Culture and Legal Discourse; Lovalerie King,Richard Schur Book 2009 Palgrave Macmillan, a division of Nature America Inc.

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Martin R. Delany and Rhetorics of Divided Sovereigntythe pages of the periodical press. The contributions of Delany and other African American writers to American legal thought often have been overlooked because many were not practicing attorneys. Instead, a great deal of critical attention has focused on African Americans as subject to American law r

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孵卵器

Lucy Terryto be one who critiques—to be one who, through bicultural play, turns the observers’ gaze back on themselves—to be, perhaps, the subaltern who speaks.. As bell hooks has observed, the prevailing image of early African American female bodies is one of bondage and a lack of agency: “Rarely do we artic

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Binge-Drinking

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Papa’s Got a Brand New Bagmusic; and changed the shape of jazz as well. Highlighting the impact of his work, Princeton University hosted a two-day symposium shortly after Brown’s death entitled “Ain’t That a Groove: The Genius of James Brown.”

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Legal Fictionswords, trademark law is a key site within legal discourse where stereotypes and assumptions can get transformed into operative and potentially valuable fictions.. This chapter invokes I. Bennett Capers’s strategy of “reading back” and “reading black” to suggest how much trademark law can teach us, p

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Introduction: “Justice Unveiled”her, her eyes covered with a veil. Her veiled eyes suggested that she viewed controversies impartially. The identities of the parties involved did not affect her insight, knowledge, or judgment. Modern American democracy, with its putative emphasis on equality before the law, has adopted this image

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