Titlebook: Africa on the Contemporary London Stage; Tiziana Morosetti Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stereotypes.Blac

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fleeting

https://doi.org/10.1007/978-3-658-33170-2 and . in particular. The reception of Agboluaje’s work in venues outside London and the politics of funding and support to BME theatre are also discussed, as are Agboluaje’s Nigerian sources and productions of his plays in Nigeria.

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work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included..978-3-030-40453-6978-3-319-94508-8

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Ringworm

cademics and emerging scholars.Combines interviews and essayThis collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to ste

创造性

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London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Noticans’, . projected the views of those who made the production possible—MRA—and was in fact an example of the way in which the stage image of Africa was misleading even when African playwrights and a cast of African actors were involved.

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‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatreence, as well as reviews and newspaper cuttings. It will be argued that attitudes to ‘Africa’ at the Royal Court have changed with the progressive gentrification of this venue, and attempts to achieve an ‘international’ dimension.

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