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Titlebook: Affect Theory and Early Modern Texts; Politics, Ecologies, Amanda Bailey,Mario DiGangi Book 2017 The Editor(s) (if applicable) and The Auth

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Spenser’s Envious History felt in the present toward the glory of the past. Adopting a “new materialist” perspective, Landreth argues that Spenser’s pseudo-historical epic engages the strife in the Arthurian controversy between dubious facts and negative affects in ontological terms, investigating the different ways the past may “matter” in the present.
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Book 2017nce, courtiership, envy, suicide, and many other topics, the contributors open up new ways of understanding how Renaissance writers thought about the capacities, pleasures, and vulnerabilities of the human body. .
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Affective Entanglements and Alternative Historiesd with the great figures and events of the national past, might meaningfully engage with the elusive movements of the trivial, improvisational, and everyday: realms of experience productively illuminated by affect theory.
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The Feel of the Slaughterhouse: Affective Temporalities and Marlowe’s ,nating how affective intensities arise in Marlowe’s play when human bodies converge with the signifiers of animal death, she argues for an understanding of early modern playgoing as a profoundly immersive experience.
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