Titlebook: Aesthetic Values; Tadeusz Pawlowski Book 1989 Kluwer Academic Publishers 1989 access.avant-garde.bibliography.cognition.epoch.experience.i

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Book 1989s and ambiguity of the language in which the problems are discussed. This makes it hard to understand the ideas of particular thinkers and sometimes makes it impossible to decide whether different formulations express the actual divergence of views or only the verbal preferences of their authors. Le

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Ruth Gattiker,M. Turina,W. Meier of meaningful solutions. An attitude less radical, but in its consequences no less negative, is assumed by some contemporary authors.. They maintain that inquiries into aesthetic value are uninteresting and scientifically fruitless, since nothing or at best very little results from them for investi

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Subjectivism,ers of this belief claim that whenever we express an aesthetic judgement, we refer it to the evaluated object while ascertaining the presence of value inherent in it. In contrast with this, subjectivism is said to be the artificial invention of overwise a reflection. This is, undoubtedly, a deceptiv

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Objectivism,subjectivism — the importance of each view has differed according to the epoch. In ancient Greek philosophy objectivism prevailed. Modern thinking on value has been increasingly developed under the influence of subjectivism which at the turn of 19. and 20. centuries became the dominant conception. F

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Relationism,n be divided into three groups: objectivism, subjectivism and relationism. Within each of these, there are differences, which are sometimes considerable, between particular variants. Objectivism can be generally characterized as a conception which sees aesthetic value in certain properties of object

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Panaestheticism,Besides, art, of old the most important source of values, today proclaims through avantgarde representatives its neutral or even hostile attitude toward aesthetic values. If I nonetheless present the following outline, I am doing so in the conviction that the problem of aesthetic value can and shoul

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Aesthetic Values in Avant-Garde Art,ant-garde artists have postulated repeatedly, and quite unambiguously, that it is not their aim to create aesthetic values; ‘we do not want to have anything to do with aesthetic values’, they used to add contemptuously. The presence of aesthetic values in art depends on definite features. Until rece

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Performance, to change their understanding of the main goal of their work. The production of objects, such as sculptures, drawings, paintings, prints, musical compositions, etc., was gradually abandoned and supplanted by various art actions. Since that time many kinds of art actions have appeared. Some of them,