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Titlebook: Advances in Advertising Research (Vol. IV); The Changing Roles o Sara Rosengren,Micael Dahlén,Shintaro Okazaki Book 2013 Springer Fachmedie

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Boosting Collaborative Networks 4.0ables two-way or multiple communications. Interactivity distinguishes traditional media (TV, radio) from new or digital ones (Internet). Most importantly, it appears that interactive communication generates not only unprecedented behaviors but also new models of consumer behavior.
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Boosting Collaborative Networks 4.0or marketing, there are so-called advergames which aim to promote a certain brand (Santos et al., 2007). However, this form of game is not necessarily the only one a company might consider for communication with their customers. Games with educational objectives are also becoming more common.
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The Emotional Side of Learning,Netherlands makes use of more than one medium (Bronner, Neijens and Van Raaij, 2003). While we are not familiar with international statistics, it can be expected that the Netherlands is not an exception regarding the widespread usage of multiple media in one campaign.
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SpringerBriefs in Population Studies banner ads and email blasts—followed the approach of traditional print, broadcast, sale promotion and direct advertising, where the advertiser exposes passive eyeballs to some message, perhaps with a call to action inviting a click.
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https://doi.org/10.1007/978-3-642-70256-3n these networks in the future (e.g., Busby et al., 2010). But, as several studies among practitioners reveal, more general knowledge is needed to plan marketing engagements in OSNs. In the academic marketing literature a need for more detailed research on OSNs has been identified as well (e.g., Bur
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https://doi.org/10.1007/978-3-642-70256-3wealth of electronic word of mouth (eWOM), varying in tone from very positive to very negative. For companies, the circulation of negative eWOM is a source of great concern. Unsatisfactory consumption experiences, which were previously communicated as complaints only to a company representative or a
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