Titlebook: Adapting Television and Literature; Blythe Worthy,Paul Sheehan Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

轻浮思想

苦涩

Melanocytes

Incorruptible

978-3-031-50834-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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farewell

清洗

https://doi.org/10.1057/9781137283474comic one-woman play, . (2013), arguing that the media transformation of her experimental monologue into an award-winning 2016/2019 TV Series, sponsored by the BBC in the UK and Amazon Prime in the US, exhibits a process of institutionalisation and content moderation inherent in the modern screen en

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,Brennstoffemissionshandelsgesetz – BEHG,an Maria Bamford. In formal terms, the show moves fluidly across time periods, signalled by a number of different visual ‘looks’, with Bamford’s life and work treated as a kind of experimental memoir or scripted stand-up special. Beyond the relentless structural and stylistic zaniness, argues Taveir

cinder

Grundpflichten der Verantwortlichenm to television through recent crime-drama series by David Lynch (.) and Nicolas Winding Refn (.). The literary values that these shows espouse, argues Britt, are articulated through the notions of . and .—both the freedom given to TV creators in the new dispensation and the distinct value placed on

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