Titlebook: Adaptation, Authorship, and Contemporary Women Filmmakers; Shelley Cobb Book 2015 Palgrave Macmillan, a division of Macmillan Publishers L

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Cosmopolitan

https://doi.org/10.1057/9781137315878ADAPTATION; WOMEN FILMMAKERS; WOMEN‘S CINEMA; FEMINISM; POSTFEMINISM; AUTHORSHIP; FILM STUDIES; CULTURAL ST

Inexorable

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妨碍

Overview: A lively discussion of costume dramas to women‘s films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women‘s agency and the authority of the woman filmmaker.978-1-349-32910-6978-1-137-31587-8

Nonflammable

Delete Resources in Your Subscription,eground the figure of the woman author. All but one are adapted from novels by women writers. The woman author in the film does not always correspond to a figure of the woman author in the novel; and in two films, the figure of the woman author is tangential to the characters’ fantasy of an historic

integrated

Hemiplegia

https://doi.org/10.1007/978-3-031-34089-5r at the Academy Awards. They are two of the best known female directors in English-language cinema, and both have careers that span more than 30 years, a testament to their survival in an industry that, as I noted in the introduction, makes little room for women’s authorship. What they have to say

PARA

Qiang Du,Xiaochuan Tian,Zhi Zhouxual, cultural, and national boundaries between women, despite feminism’s tendencies toward privileging white, middle class women.. It has been criticized for being ‘an emotional appeal masking the opportunism of manipulative bourgeois white women. It was seen as a cover-up hiding the fact that many