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Titlebook: Adaptation Before Cinema; Literary and Visual Lissette Lopez Szwydky,Glenn Jellenik Book 2023 The Editor(s) (if applicable) and The Author

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发表于 2025-3-21 18:21:52 | 显示全部楼层 |阅读模式
期刊全称Adaptation Before Cinema
期刊简称Literary and Visual
影响因子2023Lissette Lopez Szwydky,Glenn Jellenik
视频video
发行地址Charts the convergence of textual, visual, and dramatic storytelling before 1900.Provides a critical history of adaptation before the invention of film and television.Constructs bridge between literar
学科分类Palgrave Studies in Adaptation and Visual Culture
图书封面Titlebook: Adaptation Before Cinema; Literary and Visual  Lissette Lopez Szwydky,Glenn Jellenik Book 2023 The Editor(s) (if applicable) and The Author
影响因子.Adaptation Before Cinema. highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, children’s media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in histor
Pindex Book 2023
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https://doi.org/10.1007/978-3-031-04968-2eld historically myopic. Decentering film opens multiple directions for adaptation studies past, present, and future and brings new voices and approaches into the critical conversation. The editors of the collection trace the ways in which adaptation studies can be enriched by rethinking the functio
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Bethany A. Teachman,Elise M. Clerkin“single frozen moments for visual and spatial interpretation” (Kamila Elliott), transhistorical adaptations of classical suppliants across time reflect how stories are “retold in different ways in new material and cultural environments; [and] like genes, they adapt to those new environments by virtu
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Stefan G. Hofmann,Michael W. Otto ideas. This chapter focuses on Romantic-period writers adapting political philosophy for a popular audience and carries Cartmell’s claim back to the Enlightenment-flowering of modern democracy. That is, adaptation as popularization long predates the advent of film. In the 1790s, radical writers suc
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Claudia Zayfert,Jason C. DeVivaneric hybridity and its unruly use of sources. In this essay, I argue that recent developments in adaptation studies reveal the generative possibilities inherent in More’s adaptive praxis. In particular, More’s addition of scientific diagrams, extensive notes, and a glossary in the second edition of
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Richard Ned Lebow,Janice Gross Steinke,” the word acknowledges the fact that the image of some unified, transcendental Shakespeare (or Shakespearean text) is an illusion. All versions of Shakespeare are in some way fake, and Fakespeare adaptations foreground their dual position as “Shakespeare” and “not Shakespeare.” Using Dryden and
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International Criminal Justice Seriesrom Scotland, Ireland, Wales, and Britain to imbue . with a sense of the fantastic, preserving fairy lore that might have otherwise been lost. The chapter concentrates on how Shakespeare adapted fae demeanor and behavior from folklore for theatrical production. The chapter looks especially at the ad
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