Titlebook: Acoustics of Musical Instruments; Antoine Chaigne,Jean Kergomard Book 2016 Springer-Verlag New York 2016 acoustics of musical instruments.

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978-1-4939-8115-1Springer-Verlag New York 2016

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Aufgabensammlung Fertigungstechnikutive parts. These models derive from the general principles of the mechanics of continuous media (solids and fluids). In this framework, the phenomena are described at a scale of the so-called ., or ., whose dimensions are infinitesimal in the sense of differential calculus. Particular emphasis is

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https://doi.org/10.1007/978-3-8348-9457-1ntary building blocks of more complicated (discrete or continuous) systems in the context of the modal theory. In this chapter, a number of basic results are summarized. Fundamental methods, based on the use of Green’s functions, are introduced and applied to the harmonic oscillator. Their relevance

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Aufgabensammlung Fertigungstechniky obtained in the time domain, by considering an impulse source and successive wave reflections at boundaries, for a one-dimensional medium. In the frequency domain, it is shown that the concept of input impedance (or admittance), of current use in musical acoustics, can be viewed as a generalized f

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Aufgabensammlung Maschinenelementen brass instruments) are presented. A basic model is proposed, the reed being regarded as a single-degree-of-freedom oscillator. Single and double reeds are shown to be inward-striking reed, while for the simplest model of lips the reeds are striking outward. The consequences of this difference are