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Titlebook: A Post-Nationalist History of Television in Ireland; Edward Brennan Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 TV.Fami

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期刊全称A Post-Nationalist History of Television in Ireland
影响因子2023Edward Brennan
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发行地址Merges previously separate aspects of media history to offer a new perspective on how media history is written and how social hierarchy affects memory.Combines media theory, memory research and social
图书封面Titlebook: A Post-Nationalist History of Television in Ireland;  Edward Brennan Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 TV.Fami
影响因子This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, .A Post-Nationalist History of Television in Ireland. defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where thedomestic and the intimate became increasingly fused with the global. .
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Book 2019erse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where thedomestic and the intimate became increasingly fused with the global. .
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An Inductive Position Sensor ASICominent hopes and fears discourse. The medium was also represented and discussed in relation to gender and social class. Brennan argues that the meanings attached to television were in place before most Irish people encountered their first television set.
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