Titlebook: A Poetics of Postmodernism and Neomodernism; Rewriting Mrs Dallow Monica Latham Book 2015 Palgrave Macmillan, a division of Macmillan Publi

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https://doi.org/10.1057/9781137490803Virginia Woolf; Mrs Dalloway; Modernism; poetics; postmodernism; Woolf; British and Irish Literature

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978-1-349-50440-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2015

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ages and audiences. Addressing questions about the current penchant for refashioning our canon in order to update, this book will be valuable reading for both students and scholars of Woolf.978-1-349-50440-4978-1-137-49080-3

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https://doi.org/10.1007/978-3-662-64508-6 theory: first, the public’s unrelenting, ever growing cult of the impressive, ubiquitous figure of Virginia Woolf, who has become a major literary icon and a cultural commodity; second, a renewed interest in her work and particularly in . (1925), one of her best-known, most read and studied novels,

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Sigmoidoscopy

Selbstzerstörung der Demokratie? many ways’. and devised ingenious strategies of rewriting their predecessor’s hypotext. This chapter examines the way in which they orchestrate the polyphony of voices they give birth to or borrow and bring back to life; the way they build hypertextual relations by reworking Dallowayisms and weavin

Optometrist

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Über die Geschichte des Majoritätsprinzipestextual heirs. The aim of the present chapter is to examine another category of texts mothered by . and written by authors in the spirit of Virginia Woolf’s novel. As opposed to postmodernist rewriting practices, neomodernist. or retro-modernist. Dalloway-esque texts do not depend on a tight corresp

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https://doi.org/10.1007/978-3-322-91542-9ry writers have drawn inspiration from its formal and thematic features and redeployed Virginia Woolf’s modernist strategies in their texts. The series of authors considered in the present chapter also prolong Woolf’s legacy and perpetuate her Dallowayisms, but offer a distinctive brand of neomodern

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