Titlebook: A New Guide to Italian Cinema; Carlo Celli,Marga Cottino-Jones Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 cinema

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书目名称A New Guide to Italian Cinema影响因子(影响力)




书目名称A New Guide to Italian Cinema影响因子(影响力)学科排名




书目名称A New Guide to Italian Cinema网络公开度




书目名称A New Guide to Italian Cinema网络公开度学科排名




书目名称A New Guide to Italian Cinema被引频次




书目名称A New Guide to Italian Cinema被引频次学科排名




书目名称A New Guide to Italian Cinema年度引用




书目名称A New Guide to Italian Cinema年度引用学科排名




书目名称A New Guide to Italian Cinema读者反馈




书目名称A New Guide to Italian Cinema读者反馈学科排名

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A New Guide to Italian Cinema978-0-230-60182-6Series ISSN 2635-2931 Series E-ISSN 2635-294X

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https://doi.org/10.1057/9780230601826cinema; film; society; World War II

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Front Matterin the creator: if the creature reveals itself to be monstrous, it is because the creator is essentially monstrous. The idea of monstrosity did not just limit itself to fabulous creatures, but, with the advent and establishment of the Industrial Revolution, with the 1789 Revolution in France, and wi

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Italy from Unification to World War I,l and personal vocation, including the most extensive exploration of female creativity in her fiction. It links these with her invocations of uncanny sympathetic communication and with her unprecedented expansion of the boundaries of realism. We already see this in ., where musical allusion dramatis

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World War II, mean not merely that certain ideas find expression in her fiction, or that her work reflects a particular philosophy, but that she uses her fiction as a means of thinking about philosophical and moral issues. Previous critical studies of the intellectual aspect of her fiction have tended to see her