Titlebook: A Modern Coleridge; Cultivation, Addicti Andrea Timár Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Coleridge.Culture.Cult

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Aufbau und Handhabung des Programms,at characterise our .’ (., 42). Then, supplementing the definition with specifying its aim, he adds, ‘We must be men in order to be citizens’ (., 43, italics in the original). Raymond Williams notes that this is the first time the word ‘cultivation’ has been used to ‘denote a general condition, a “s

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,Copper-Catalyzed C(aryl)–N Bond Formation,ction of the discourse on opium, the discourse of intoxication, and the discourse of addiction. First, the poem inscribes itself in the 19th century discourse on opium through its famous reference to the ‘anodyne’ Coleridge ostensibly took while conceiving the poem. At the same time, Coleridge’s sel

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Molecular neuroanatomy of MAO-A and MAO-Bmpulsion, will and stimulatability, agency and passivity. Via Eve Sedgwick, and Walter Benjamin, I have theorised the ‘other’ of cultivation as ‘addiction’; considering addiction as, pri-marily, an ‘epidemics of the will’ (Sedgwick). In the first Chapter, I argued that Coleridge’s idea of cultivatio

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T. May,S. Strauss,H. Rommelspacherbstraction and that of speech. He describes the child’s earliest bond with the mother, up to the point when he ‘leaves the gentle teachings of his first home’ and engages in the ‘austere discipline of the understanding’ (., 136). On the one hand, Coleridge gives an account of the way in which the ch

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K. F. Tipton,M. B. H. Youdim,G. A. Lylesnd the habit of self-discipline, eventually staging successful processes of inward development or .. In other words, the process of cultivation staged by ‘The Eolian Harp’ will present, in miniature, the stakes of the binary initially established between addiction and intoxication on the one hand, a