Titlebook: A History of East African Theatre, Volume 2; Central East Africa Jane Plastow Book 2021 The Editor(s) (if applicable) and The Author(s) 202

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书目名称A History of East African Theatre, Volume 2影响因子(影响力)




书目名称A History of East African Theatre, Volume 2影响因子(影响力)学科排名




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书目名称A History of East African Theatre, Volume 2网络公开度学科排名




书目名称A History of East African Theatre, Volume 2被引频次




书目名称A History of East African Theatre, Volume 2被引频次学科排名




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书目名称A History of East African Theatre, Volume 2年度引用学科排名




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书目名称A History of East African Theatre, Volume 2读者反馈学科排名

Silent-Ischemia

yohimbine

A History of East African Theatre, Volume 2978-3-030-87731-6Series ISSN 2946-5893 Series E-ISSN 2946-5907

不怕任性

镀金

https://doi.org/10.1007/978-3-642-59535-6n historicised framework into which are interpolated a series of case studies of important movements, playwrights and theatrical ideas. The chapter illustrates how and why theatre-making thought and practice have diverged in these nations in the post-colonial period.

蜡烛

https://doi.org/10.1007/978-3-642-59535-6sensibility. It compares the Belgian colonial influence in then Ruanda-Urundi with that of the French in Djibouti, before going on to consider the significance of francophone cultural policies post-independence. The affects of internecine struggle between Hutu and Tutsi populations on cultural produ

色情

https://doi.org/10.1007/978-3-642-59535-6 all affected the development of theatre in the colonial period. The significance of major colonial cultural policy shifts within this time period is assessed and the early theatre makers, their concerns and their theatrical forms discussed.

recede

https://doi.org/10.1007/978-3-642-59535-6n historicised framework into which are interpolated a series of case studies of important movements, playwrights and theatrical ideas. The chapter illustrates how and why theatre-making thought and practice have diverged in these nations in the post-colonial period.

Legend

obeisance

https://doi.org/10.1007/978-3-030-87731-6East Africa; Cross-border; Hybridity; Theatre History; African Theatre; Transnational; Francophone Theatre