Titlebook: A Global Doll‘s House; Ibsen and Distant Vi Julie Holledge,Jonathan Bollen,Joanne Tompkins Book 2016 The Editor(s) (if applicable) and The

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2947-5848 diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.978-1-349-68378-9978-1-137-43899-7Series ISSN 2947-5848 Series E-ISSN 2947-5856

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The Rise and Fall of Controlled Drinking, a digital humanities analysis to answer the question: what accounts for the global success of this play? We consider the question from two angles: cultural transmission and adaptation. By tracing the cultural transmission of the play through its global performances we uncover the social, economic,

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https://doi.org/10.1007/978-3-642-11027-6ratives of Ibsen’s career by revealing an early commercial history of his most popular play. Twenty-two Noras were responsible for spreading the play around the world; this chapter follows their journeys to Asia, Australasia, and the Americas, and examines the critical reception of their performance

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https://doi.org/10.1007/978-3-662-26739-4tain 1889, the USA 1938 and 1987, India 1958, Germany 1981, Nigeria 2006, Japan 2006, Pakistan 2006, Malawi 2006, China 2010, and Chile 2012–the chapter provides visualisations of dramaturgical structures that make us rethink theatrical adaptation. Four key areas emerge: the importance of temporal s

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Palgrave Studies in Performance and Technologyhttp://image.papertrans.cn/a/image/140888.jpg

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