Titlebook: A Critique of Judgment in Film and Television; Silke Panse,Dennis Rothermel Book 2014 Palgrave Macmillan, a division of Macmillan Publishe

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https://doi.org/10.1057/9781137014184cinema; film; media; social media; television; media research

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比赛用背带

https://doi.org/10.1007/978-981-13-8679-4evision, works whose sole purpose is to generate judgment have multiplied. Judgment pervades contemporary television. The comment sections on online press webpages and blogs, along with social media such as Facebook and Twitter, elicit and propagate our judgments incessantly. The judgment of everyon

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Armin Stranjak,Swen Campagna,Igor Čavrakd 1983) and work-related processes of “self-realization” (Rose 1999 [1989]) to critically consider the competitive television show . (BBC1 2010–). In particular, we explore how . (formerly .) stages a spectacle of judgment and censorious assessment of young people and their performance of leadership

Ballad

Agents and Peer-to-Peer Computingfective practices of consumer–spectators who have also become .– . This chapter discusses the biopolitical slant of this universe of images: the modulation strategies developed by companies and the modes of capitalization of life they engender. Our main goal is to discuss the concept of the amateur,

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David Cabanillas,Steven Willmottre, for the most part, unsteady. Initially, and periodically thereafter, frames are somewhat out-of-focus. Although filmed on a color video camera, the picture is desaturated and it does not meet professional lighting and compositional norms. Nevertheless, it is sharp enough for long enough for a ma