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Titlebook: Youth and Permissive Social Change in British Music Papers, 1967–1983; Patrick Glen Book 2019 The Editor(s) (if applicable) and The Author

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发表于 2025-3-21 18:50:00 | 显示全部楼层 |阅读模式
书目名称Youth and Permissive Social Change in British Music Papers, 1967–1983
编辑Patrick Glen
视频video
概述Considers how the music press has shaped our understandings of youth, and their role in politics and social change.Assesses the frictions emerging from debates on modes of behaviour, identity and self
丛书名称Palgrave Studies in the History of Subcultures and Popular Music
图书封面Titlebook: Youth and Permissive Social Change in British Music Papers, 1967–1983;  Patrick Glen Book 2019 The Editor(s) (if applicable) and The Author
描述This book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millions every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. .By analysing music papers and oral history interviews with journalists and editors, Patrick Glen examines how papers represented a lucrative entertainment industry and mass press that had to negotiate tensions between alternative sentiments and commercial prerogatives. This book demonstrates, as a consequence, how music papers constructed political positions, public identities and social mores within the context of the market. As a result, descriptions and experiences of social change and youth were contingent on the understandings of class, gender, sexuality, race and locality. .
出版日期Book 2019
关键词Sexuality; Gender; Race; Class; Activism; Music press
版次1
doihttps://doi.org/10.1007/978-3-319-91674-3
isbn_ebook978-3-319-91674-3Series ISSN 2730-9517 Series E-ISSN 2730-9525
issn_series 2730-9517
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
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Book 2019llions every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. .By analysing music papers and oral history interviews with journalists and editor
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2730-9517 erging from debates on modes of behaviour, identity and selfThis book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millions every week, the music press provided young people across the country with a guide t
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The Editor(s) (if applicable) and The Author(s) 2019
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