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Titlebook: Yeats’s Poetry and Poetics; Michael J. Sidnell Book 1996 Michael J. Sidnell 1996 David Herbert Lawrence.George Eliot.Modernism.poetics.poe

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书目名称Yeats’s Poetry and Poetics
编辑Michael J. Sidnell
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图书封面Titlebook: Yeats’s Poetry and Poetics;  Michael J. Sidnell Book 1996 Michael J. Sidnell 1996 David Herbert Lawrence.George Eliot.Modernism.poetics.poe
描述Yeats‘s Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats‘s career, the essays are organised into three main parts. The first deals with Yeats‘s concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats‘s poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other ‘Georgians‘, and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats‘s long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans‘s Wake and ‘The Wanderings of Oisin‘ are also examined. Rounding off the volume ‘Phantasmagoria‘, explores the implications for his poetics of Yeats‘s spiritualist philosophy, especially in terms of his c
出版日期Book 1996
关键词David Herbert Lawrence; George Eliot; Modernism; poetics; poetry; William Butler Yeats; British and Irish
版次1
doihttps://doi.org/10.1007/978-1-349-24988-6
isbn_softcover978-1-349-24990-9
isbn_ebook978-1-349-24988-6
copyrightMichael J. Sidnell 1996
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https://doi.org/10.1007/978-1-349-24988-6David Herbert Lawrence; George Eliot; Modernism; poetics; poetry; William Butler Yeats; British and Irish
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Book 1996 volume. Spanning the whole of Yeats‘s career, the essays are organised into three main parts. The first deals with Yeats‘s concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and
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n for this volume. Spanning the whole of Yeats‘s career, the essays are organised into three main parts. The first deals with Yeats‘s concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from g
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Marius Kohlheppssification sensitivity - 89%/85%, classification specificity - 96%/82%, positive predictive value - 95%/95%, negative predictive value - 89%/84%. For the applied set of textural features, as well as the methods of selection and classification, image normalisation significantly worsened the accuracy
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