Titlebook: Writing and Reading in Henry James; Susanne Kappeler Book 1980 Susanne Kappeler 1980 Henry James.William James.writing

generic

From artist to criticdium of interpretation and imagination. But our reluctance to call his creation a work of art is obviously due to the fact that it so little resembles any of the artistic products we know. Some critics have evaded the problem by reading the novel simply as allegory;. while we have refined and redefi

斥责

出没

愚笨

Complement

A word on critics end, and with the consistency that makes it necessary to include the narrator in our analysis, as well as our own act upon the text. I call it ‘primary’ for not being exhaustive, but also for the fact that it enters the text on its own level.

KIN

The relevance of folkloristics to the analysis of modern narrativereatly developed and sophisticated, especially in France, and in combination with textual linguistics;. but rather than review the various current theories I wish to draw attention to their point of origin.

PLIC

Epic laws and ,: A first analysised with the Misses Bordereau, nor indeed with the narrator, she has at least a thorough knowledge of Venice, which the narrator lacks, and is informed of the latter’s designs, which the Bordereaus are not. She is also in touch with Venice society and especially the American colony, which presents another advantage over both the others.

Interregnum

The literary community in the context of societyhe circle of initiates who share the values of aesthetic quality with the writer. His borderline position qualifies him for the task of mediator between the two communities, in his role as reviewer, editor or journalist.

GRIEF

Analysis of narration, or ction of the narrative as directed at a listener or reader (hence the courtroom analogy above), directed at another which moreover is also the self. Telling his tale is therefore another adventure on which the narrator embarks, of precisely the kind James has described.

啪心儿跳动

Twin demonsby doubts and self-criticism that make him ‘blush for himself... Such insecurity in turn affects his life in society, in which he can never move with ‘irreflective joy and at the highest thinkable level of prepared security and unconscious insolence’..