Titlebook: World Literature and Ecology; The Aesthetics of Co Michael Niblett Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

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,Romance, Realism, Modernism: Frontier Forms in the Work of Rhys Davies and José Lins Do Rego,azilian sugar frontier and the Welsh coal frontier. The historical span of Lins do Rego’s sugar-cane cycle of novels and Davies’ ‘Rhondda Trilogy’ will allow me to explore in detail the relationship between different literary modes and the different phases in a commodity frontier’s lifecycle. Signif

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,The “Mangled” Body: Proletarian Writing and the Dialectic of Labour,bal tide of working-class writing that appeared in the 1920s and 1930s. The chapter begins with an analysis of the poetry of the South Walian writer Idris Davies, exploring the specificity of peripheral modernism as a response to the challenges commodity frontiers pose to literary representation. I

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,“We State the Facts”: Romance and Revolt in the Work of Jorge Amado and Gwyn Thomas, of the latter in Amado’s . (1943) and Gwyn Thomas’ . (1949). These extraordinary novels will enable me to summarize many of my key arguments. In their particular fusion of genres, use of allegory, and insistent staging of the problem of writing and representation, they directly and critically addre

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Book 2020ogical transformations entailed by commodity frontiers. Examining the sugar, cacao, coal, and oil frontiers in Trinidad, Brazil, and Britain, .World Literature and Ecology. shows how literary texts have registered the relationship between the re-making of biophysical natures and struggles around cla

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New Comparisons in World Literaturehttp://image.papertrans.cn/w/image/1031166.jpg

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https://doi.org/10.1007/978-3-030-38581-1Environmental humanities; Energy; Food; Commodity; Capitalism; Labour; Working-class writers; Trinidad; Braz

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978-3-030-38583-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl