Titlebook: Wordsworth and Coleridge: The Lyrical Ballads; Critical Perspective Patrick Campbell Textbook 1991Latest edition Patrick Campbell 1991 Cole

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: Recent Interpretative Stances,r escapist. Yet a critical concern with formal control — I. A. Richards’ ‘Bridle of Pegasus’ (Richards, 1935, ch. 9) — is a useful starting-point for analysts of .. We may not subscribe to Wallace Stevens’ view (1951) that ‘the style of a poem and the poem itself are one’, but it is harder to dissen

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: Criticism of the Major Poems,dropping it from a second edition, to ‘put in its place some little things which would be more likely to suit the common taste’ (letter to Cottle, 24 June 1799, ., p. 227). Yet it is now regarded as one of the supreme poems of any age, an inspiration to famous artists (Doré, Peake), frequently drama

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,Personal Perspectives: The ‘Other’ Lyrical Ballads,ay, began the fashion by divining in the revolutionary origins of the volume a reaction to ‘servile imitation and tamest commonplace’, generating verse of ‘the utmost pitch of singularity and paradox’ (1818, 1944 edn, p. 247). Arnold felt that the route to Wordsworth’s psyche lay through his ‘parado

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Textbook 1991Latest editionn superseded by a plethora of scholarly interpretations, the debate still focuses on their elusive, paradoxical character. Are the poems traditional or experimental, a random collocation or an organised sequence? Patrick Campbell surveys the critical fluctuations of nearly two centuries while privil

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