Titlebook: Wordsworth and Coleridge; Lyrical Ballads John Blades Textbook 2004Latest edition The Editor(s) (if applicable) and The Author(s) 2004 Cole

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书目名称Wordsworth and Coleridge影响因子(影响力)




书目名称Wordsworth and Coleridge影响因子(影响力)学科排名




书目名称Wordsworth and Coleridge网络公开度




书目名称Wordsworth and Coleridge网络公开度学科排名




书目名称Wordsworth and Coleridge被引频次




书目名称Wordsworth and Coleridge被引频次学科排名




书目名称Wordsworth and Coleridge年度引用




书目名称Wordsworth and Coleridge年度引用学科排名




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书目名称Wordsworth and Coleridge读者反馈学科排名

Fester

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厨师

consolidate

AMBI

Nature and the Supernatural: ‘the strangeness of it’me expression of that power and majesty in nature that had been his close and companionable form since childhood. As book VI of . declares, he was profoundly inspired by ‘unapproachable forests’, ‘majestic floods’ and ‘solitudes sublime’; in short he was transported wholly and exultantly into the colossal realm of nature’s ‘awful power’.

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Reading and Writing in Eighteenth-Century Englandral. Wordsworth’s Prefaces to . are infused not only with a strong awareness of his reader but also with the overt intention of changing the reader, indeed they aver that the great artist creates the taste by which he or she is to be judged.

Middle-Ear

演讲

IntroductionHazlitt’s comments on Wordsworth’s ‘genius’ imply that he is of his age but only of his age, that he was relevant only to his own era. From our privileged viewpoint here over 175 years on, we can say that he was only partly correct. Wordsworth was certainly the man of his moment, but he speaks to all eras — a poet speaking to mankind.

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Old Age: a ‘vital anxiousness’Following the moderate commercial success of the first edition of ., an expanded, two-volume edition was published in 1800. Volume I retained almost all of the poems in the 1798 edition and volume II contained the additional material that included a number of new poems whose subjects referred explicitly to and illustrated the theme of old age.

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Social Issues: ‘the mean and vulgar works of man’Wordsworth is often and popularly thought of as a ‘nature poet’, one whose primary concern is scenery, the mountains, rills and ghylls, wandering clouds and, of course, those daffodils. But the poet himself always regarded his true subject matter as the study of mankind itself.