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Titlebook: Women’s Poetry, Late Romantic to Late Victorian; Gender and Genre, 18 Isobel Armstrong (Professor of English),Virginia B Book 1999 Palgrave

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‘I leave a page half-writ’ resisted the dominant cultural discourses and practices. This essay explores some of these complex strategies for narrating desire by reading the tactical deployment of sexuality in the texts and experience (constructed for us through texts) of ‘Michael Field’, the pseudonym of two late Victorian w
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Rewriting At the beginning of Letitia Landon’s ., a male speaker looks at the portrait of a female poet and meditates on the function of memory and autobiographical self-construction:
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rewarding in the long run, it seems unlikely that preventative measures will reduce the incidence of human cancer significantly in the foreseeable future, particularly since the median age of the human population continues to increase. At the same time, chemotherapy is today providing increasing cur
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Isobel Armstrongost (COHEN, 1963, 1968; MATHEWS, 1971). Synthesis of bacterial proteins stops within seconds (BENZER, 1953; BILEZIKIAN, KAEMPFER, and MAGASANIK, 1967; HAYWARD and GREEN, 1965; KAEMPFER and MAGASANIK, 1967; KENNELL, 1970; LEVIN and BURTON, 1961; ROUVIERE et al., 1968; SHER and MALLETTE, 1954). Bacter
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