Titlebook: Women in the International Film Industry; Policy, Practice and Susan Liddy Book 2020 The Editor(s) (if applicable) and The Author(s), under

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半导体

Gender in the Austrian Film Industryhe AFGR was based on a five-year period of data elicitation. Four key areas of the film industry were investigated by gender effects: representation of women . (fundings, jobs, payments, etc.), gender representation ., visibility at Austrian film festivals (programming, juries, awards), and gender s

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With Eyes Wide Open: Gender Equality in the Polish Film Industryle Filmmakers Association was established and marked the beginning of an ongoing activism to tackle the uneven distribution of funding and recognition of Polish female filmmakers. The commitment to challenge this situation has been debated and discussed during almost every film festival organized in

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The Road to 5050: Gender Equality and the Irish Film Industry016. It sought to achieve gender equality over three years, and key among its strategies was a 5050 gender equality target in funding. In April 2018, the Broadcasting Authority of Ireland (BAI) followed suite and published its Gender Action Plan. Both policies were broadly welcomed as a much-needed

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To Change or Not to Change? Women and Gender Equality in the Finnish Film Industryn last few years. Women have demanded more opportunities to make films and highlighted difficulties and omissions. The biggest issues have been women’s low proportion of film financing and their bad treatment in film productions. The most important initiators for the activities have been female film

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From Edith Carlmar to Iram Haq: Women in the Norwegian Film Industryer Gap Report. The film industry, however, is and has always been dominated by men, and change in this field has been quite slow—at least until the last decade. Operating in a small country, with 5.3 million inhabitants in 2019, the industry is dependent on public funding, and it is through public p