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Titlebook: Women and Dance; Sylphs and Sirens Christy Adair Textbook 1992Latest edition Macmillan Publishers Limited 1992 dance.dancing.society.women

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发表于 2025-3-21 20:00:57 | 显示全部楼层 |阅读模式
书目名称Women and Dance
副标题Sylphs and Sirens
编辑Christy Adair
视频video
丛书名称Women in Society: A Feminist List
图书封面Titlebook: Women and Dance; Sylphs and Sirens Christy Adair Textbook 1992Latest edition Macmillan Publishers Limited 1992 dance.dancing.society.women
描述A broad-ranging account of women‘s roles and experience in dance, which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create their own. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women‘s liberation.
出版日期Textbook 1992Latest edition
关键词dance; dancing; society; women
版次1
doihttps://doi.org/10.1007/978-1-349-22374-9
copyrightMacmillan Publishers Limited 1992
The information of publication is updating

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发表于 2025-3-21 21:17:39 | 显示全部楼层
Christy Adair möglich oder erforderlich werden alle Versuche beispielhaft durchgerechnet. Dieses Buch eignet sich daher als Anleitung, Versuche selb­ ständig zu konzipieren, durchzuführen und auszuwerten. Zu Beginn wird die Steuerung des Programms durch Menükarten beschrieben, um dann sofort zu den Experimenten
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,Cultured bodies — the social construction of the body,ive attitudes which arise from these constructions. In Western society we are surrounded with paradoxical messages about the body. On the one hand we are urged to keep fit, be healthy and enjoy physicality, on the other hand physical education and dance are generally perceived to be of less value th
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,We say no — postmodern dance,f what Banes has termed ‘analytic postmodern dance’. At the same time, an interest in non-Western dance and spiritual motivations for dance is defined by Banes as the ‘metaphor and metaphysical’ strands of postmodern dance. However, defining postmodern dance stylistically is problematic as this lead
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