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Titlebook: Wittgenstein on Aesthetic Understanding; Garry L. Hagberg Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 thought.philosoph

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楼主: relapse
发表于 2025-3-25 04:50:01 | 显示全部楼层
Narrative Aspect Change and Alternating Systems of Justice: A Wittgensteinian Reading of Borgeswhat used to be called a preacher of parables or a fabulist and is now known as a committed writer. I do not aspire to be Aesop.” Borges denies here a moralistic or didactic dimension to his writing—a position which remains consistent throughout his writing and seems to be intimately linked with his
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Wittgenstein on Musical Depth and Our Knowledge of Humankind a unique place in the annals of the philosophy of music, which is rarely acknowledged or discussed in the scholarly literature. These remarks reflect and emulate the spirit and subject matter of Romantic thinking about music, but also respond to it critically, while at the same time they interweave
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Wittgenstein and the Inner Character of Musical Experienceiteria’. He does of course say that, but nevertheless I do not think Wittgenstein has a view that can be summed up so neatly. I cook up from Wittgenstein’s own ingredients a template for the experience of music that in a certain sense allows the privacy of musical experience.
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Wittgenstein’s Criticism of a “Science of Aesthetics” and the Understanding of Musiccuses of Wittgenstein’s . One of the topics discussed by Wittgenstein with his students—the lectures were held in Cambridge in the summer of 1938—is the idea that the aesthetic judgments can be explained by empirical methods, namely by experimental psychology. Wittgenstein was passionate about music
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Seeing Stars: the Reception and Ontology of Movie Starsas well as their ., are as much an object of aesthetic predication and critical assessment as any inanimate artwork—items of attention and appreciation within a larger work. Associations with movie stardom may include a witches brew of qualities we may call “auratic.” Although there are numerous ove
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Book 2017 philosophical work, the authors explore connections to contemporary currents in aesthetic thinking and the illuminating power of Wittgenstein’s philosophy when considered in connection with the interpretation of specific works of literature, music, and the arts. Taken together, the chapters present
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Book 2017trong renewal of interest in Wittgenstein’s contributions to the philosophy of mind and language, this book offers insight into the connections between philosophical-psychological and linguistic issues and the understanding of the arts..
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