Titlebook: William Forsythe’s Postdramatic Dance Theater; Unsettling Perceptio Freya Vass Book 2023 The Editor(s) (if applicable) and The Author(s), u

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Auditory Turn: Vocal Choreographyding ., ., and .. Noting shared qualities across speech and song, it traces the history of Forsythe’s use of speech in his works and its reception by critics before detailing his investigation first of pseudo-language and then of vocalizations that arise in resonance to movement. Research on the emb

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Occlusion: Comings and Goingse wooden wall and mobile lighting. The chapter brings this work into dialogue with research on the dynamics of attention to objects and obstructions that occur when objects appear and disappear from view and brings the discussion into engagement with Lehmann’s and Forsythe’s ideas on meaning and disappearance.

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Hiding in Plain Sight: Simultaneityait” of simultaneity and the perceptual performativity that underlies it. The chapter comparatively investigates polycentric choreography in the works of Forsythe and George Balanchine, including the latter’s ., ., and . and the former’s ., “Bongo Bongo Nageela” from ., and ., among other works.

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Gloaming: Dimming and Visionsrceptually performative effects of dimness and blur. The chapter concludes with a turn to research on the effects of low light in office workspace environments on thinking styles, proposing a link to Lehmann’s idea of “visual dramaturgies” and to dynamics of attention that both he and Forsythe have theorized.

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Lull: , and Dronesance.” As well, Forsythe stages visual interruptions to hypnotic rhythmic movement at such points. Instances in works including ., ., ., ., ., and . show how Forsythe’s choreography differentially supports the performative effects of the two soundscore types considered.