Titlebook: William Blake‘s Visions; Art, Hallucinations, David Worrall Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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Introduction

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Perceiving More than Perception,ed on his creative practice (E 554–5). In short, he needed to arrive at a working theory of perception congruent with his lived experience of ‘visions’ and, of equal urgency, he needed to incorporate it into his art if he was to express their power and impact.

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,Blake’s Synaesthesia: The Testimony of Crabb Robinson,ngs subsequent to Aders’ dinner, are an extremely valuable resource. They are earnest in tone yet also emotionally distanced by a scepticism belied by Crabb Robinson’s eagerness to faithfully record Blake’s ideas.

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Book 2024f neuroscience to examine both Blake’s visual art and writings, and discusses the lack of evidence pointing towards psychosis or pathological ill-health, thus questioning the rumours pertaining to Blake’s insanity..

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Introduction, ‘visions.’ In doing so, I have taken the apparently novel step of assuming that when he wrote that the paintings shown in his small exhibition off Oxford Street in 1809 were derived from things ‘seen in my visions,’ he meant it (E 531). It is now possible to demonstrate that the perceptual phenomen

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