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Titlebook: William Blake‘s Manuscripts; Praxis, Puzzles, and Mark Crosby,Josephine A. McQuail Book 2024 The Editor(s) (if applicable) and The Author(s

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书目名称William Blake‘s Manuscripts
副标题Praxis, Puzzles, and
编辑Mark Crosby,Josephine A. McQuail
视频video
概述Shows how close analysis of Blake’s manuscripts reveals new insights into his creative process and mythopoetic system.Covers the breadth of Blake’s manuscripts: poetry, letters, notebook entries, and
图书封面Titlebook: William Blake‘s Manuscripts; Praxis, Puzzles, and Mark Crosby,Josephine A. McQuail Book 2024 The Editor(s) (if applicable) and The Author(s
描述This collection of essays examines how close analysis of William Blake’s manuscripts can yield new discoveries about his techniques, his working habits, and his influences. With the introduction of facsimile editions and more particularly, the William Blake Archive, the largest digital repository of Blake materials online, scholars have been able to access Blake’s work in as close its original medium, leading to important insights into Blake’s creative process and mythopoetic system. Recent advancements in digital editing and reproduction has further increased interest in Blake’s manuscripts. This volume brings together both established Blake scholars, including G.E. Bentley Jnr’s final essay on Blake, and upcoming scholars whose research is at the intersection of digital humanities, critical theory, textual scholarship, queer theory, transgender studies, reception history, and bibliographical studies. The chapters seek to cover the breadth of Blake’s manuscripts: poetry, letters, notebook entries, and annotations. Together, these chapters offer an overview of the current state of research in Blake studies on manuscripts at a point when his manuscripts have become increasingly avai
出版日期Book 2024
关键词Textual editions; Illuminated books; Manuscripts; William Blake Archive; Digital editing; Notebooks; Digit
版次1
doihttps://doi.org/10.1007/978-3-031-47436-1
isbn_softcover978-3-031-47438-5
isbn_ebook978-3-031-47436-1
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Catastrophe, Sublimity, and Digital Thinking in Blake’s , or ript? The answer takes shape through discussion of the traumatic sublime, the analog and the digital in the long digital age, the incarnational art and politics sketched in the late additions to Night VIIa, and what is gained and what lost when digital technologies are used to remediate the poem.
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“O what a scene is here”: Visual References in Blake’s the visual culture of his time, being as they are subtly ingrained in the text, are not easy to detect. This catalogue of abstruse allusions will perhaps contribute to our understanding of the visual archive that he was working with at the time.
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Blake and “the Wondrous Art of Writing”: Letter Faces, Letter Formation, Capitalization the . manuscript, from copperplate hand to modified usual hand. All print editions of Blake’s works since 1827 have significantly simplified and regularized Blake’s writing. This chapter documents and examines Blake’s myriad ‘hands’ evident across his works, from manuscripts to illuminated printing
发表于 2025-3-22 22:29:55 | 显示全部楼层
“,”: William Blake, Letter Writerhis edition of the letters and David Wells in his 1987 published MA thesis seem determined to prove that the letters, especially their “gnomic statements”, can only be “understood in relation to his collected writings.” Thirty years on, this chapter will consider these and more recently discovered a
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